Audio and Video Taping Policy
Below is our advice for those of you who wish to venture out into the field and gather your own evidence at the source:
For investigators who have access to the technology, Hayseed Dixie encourages audio and video recording at live shows, and the trading and sharing of these recordings afterwards. The ONLY stipulation is that said recordings absolutely may not be used for commercial gain - just don't sell them, folks. That ain't cool and may result in an East Tennessee Ass-Whooping should the band find out about it (and they will).
Regarding soundboard patches, unless it's a big festival, we really don't recommend it. Here's why: in a smaller club, the soundboard mix doesn't really sound like what's happening in the room because the mix engineer is balancing against the band's stage volume. The vocals in a soundboard patch are always way louder than everything else, and you can never hear the mandolin (because he's bloody LOUD on stage) - and you do want to hear the mandolin later. Ultimately, we'll leave it up to Dave, who runs the front of house sound, as to whether he wants to give you a patch, but keep in mind that audience recordings made with microphones always sound better.
Regarding recording technology: we have a few suggestions we'd like to impart to ensure that you succeed in capturing the performances in the most optimal way. For those who want to kick it seriously old-school, it's hard to beat the classic vintage Edison: